Solace in Asymmetry
Words by Joel Escalona
Where Irregular Shapes Meet Comfort and Expression
Drawing irregular shapes was never about being different just for the sake of it. It was a quest to discover a language that speaks both to the individuality of each piece and the unity of the collection. The challenge? To make these shapes flow, to give them a sense of balance and purpose, so they're not merely irregular, but a philosophical expression.
Each curve, each deviation from the norm, had to feel right. It had to resonate with what I wanted Solace to be – a pursuit, an exploration of something beyond the ordinary.
Solace, in its very essence, is about seeking comfort in the unconventional, finding harmony in asymmetry, and embracing the unique charm of irregularities.
Every asymmetrical shape in the Solace series tells a story. It's not chaos; it's a carefully orchestrated symphony of forms that dance together. The initial inspiration comes from Isamu Noguchi's Pigeon sculpture, which was a guide, not a rule. It helped me explore, but it didn't bind me.
Pigeon by Isamu Noguchi 1988 – 1989
IMAGE ©INFGM noguchi.org
In Isamu Noguchi's Pigeon sculpture, there's something eternal about its blend of organic and geometric design elements. As a creative exercise in Solace, I've tried to capture those curves and lines that defined its presence. A tribute? Perhaps. An interpretation? Definitely. These tables aren't a direct shape inspiration; they're a reminder that there's beauty in the atypical, grace in the uneven, and serenity in the exploration of the unknown, just like Noguchi’s way of work.
In designing the Solace series, I wanted to create something that not only appealed to the eye but bring comfort by its presence. The deviation from traditional shapes wasn't a mere aesthetic choice; it was an intentional journey toward something more profound. It's about recognizing that comfort, peace, and solace can be found in unexpected places, in lines that defy the ordinary, in forms that challenge the conventional.
